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某广电IP城域网改造方案建议书 本文简介：opinionabout,andstatementof,thetheme.Moralinferencesdrawnfrommoststories:Moralinferencesmaybedrawnfrommoststories,nodoubt,evenwhenanauthordoesnotinten

某广电IP城域网改造方案建议书 本文内容：

opinion

about,and

statement

of,the

theme.

Moral

inferences

drawn

from

most

stories:

Moral

inferences

may

be

drawn

from

most

stories,no

doubt,even

when

an

author

does

not

intend

his/her

story

to

be

read

this

way.

In

“A

Clean,Well-Lighted

Place”,we

feel

that

Hemingway

is

indirectly

giving

us

advice

for

properly

regarding

and

sympathizing

the

lonely,the

uncertain,and

the

old.

But

obviously

the

story

does

not

set

forth

a

lesson

that

we

are

supposed

to

put

into

practice.

We

can

say

for

sure

that

“A

Clean,Well-Lighted

Place”

contains

several

themes

and

other

statements

could

be

made

to

take

in

Hemingway’s

view

of

love,of

communication

between

people,of

dignity.

Great

stories,like

great

symphonies,frequently

have

more

than

one

theme.

When

we

say

that

the

title

of

Pride

and

Prejudice

conveys

the

theme

of

the

novel

or

that

Uncle

Tom’s

Cabin

and

The

Grapes

of

Wrath

treat

the

themes

of

slavery

and

migratory

labor

respectively,this

is

to

use

theme

in

a

larger

and

more

abstract

sense

than

it

is

in

our

discussion

of

Hemingway’s

“A

Clean,Well-Lighted

Place.”

In

this

larger

sense

it

is

relatively

easy

to

say

that

Mark

Twain’s

Huckleberry

Finn,Updike’s

A

(2)

the

occupations

and

daily

manner

of

living

of

the

characters;

(3)

the

time

or

period

in

which

the

action

takes

place,for

example,the

late

eighteenth

century

in

history

or

winter

of

the

year;

(4)

the

general

environment

of

the

characters,for

example,religious,mental,moral,social,and

emotional

conditions

through

which

characters

in

the

story

move.

(Holman

and

Harman,A

Handbook

to

literature,1986)

But

often,in

an

effective

story,setting

may

figure

as

more

than

mere

background.

It

can

make

things

happen.

It

can

prompt

characters

to

act,bring

them

to

realizations,or

cause

them

to

reveal

their

innermost

natures,as

we

shall

see

in

John

Cheever’s

short

story

“The

Swimmer”.

First,as

we

have

said,the

idea

of

setting

includes

the

physical

environment

of

a

story:

a

region,a

landscape,a

city,a

village,a

street,a

house—a

particular

place

or

a

series

of

places

where

a

story

occurs.

(Where

a

story

takes

place

is

sometimes

called

its

locale.)

Places

in

fiction

not

only

provide

a

location

for

an

action

or

an

event

of

the

story

but

also

provoke

feelings

in

us.

A

sight

of

a

green

field

dotted

with

fluttering

daffodils

affects

us

very

differently

from

a

sight

of

a

dingy

alley,a

tropical

jungle,or

a

small

house

crowded

with

furniture.

In

addition

to

a

sense

of

beauty

or

ugliness,we

usually

build

up

certain

associations

when

we

put

ourselves

in

such

a

scene.

We

are

depressed

by

a

dingy

alley,not

only

because

it

is

ugly,but

because

it

may

arouse

a

feeling,perhaps

sometimes

unconsciously,of

poverty,misery,violence,viciousness,and

the

struggles

of

human

beings

who

have

to

live

under

such

conditions.

A

tropical

jungle,for

example,in

Joseph

Conrad’s

Heart

of

Darkness,might

involve

a

complicated

analysis:

the

pleasure

of

the

colours

and

forms

of

vegetation,the

discomfort

of

humidity,heat,and

insects,a

sense

of

mystery,horror,etc.

The

popularity

of

Sir

Walter

Scott’s

“Waverley”

novels

is

due

in

part

to

their

evocation

of

a

romantic

mood

of

Scotland.

The

English

novelist

Graham

Greene

apparently

needed

to

visit

a

fresh

scene

in

order

to

write

a

fresh

novel.

His

ability

to

encapsulate

the

essence

of

an

exotic

setting

in

a

single

book

is

exemplified

in

The

Heart

of

the

Matter;

his

contemporary

Evelyn

Waugh

stated

that

the

West

Africa

of

that

book

replaced

the

true

remembered

West

Africa

of

his

own

experience.

Such

power

is

not

uncommon:

the

Yorkshire

moors

have

been

romanticized

because

Emily

Bronte

wrote

of

them

in

Wuthering

Heights,and

literary

tourists

have

visited

Stoke-on-Trent

in

northern

England

because

it

comprises

the

“Five

Towns”

of

Arnold

Bennet’s

novels

of

the

early

twentieth

century.

Thus,a

reader’s

reaction

to

a

place

is

not

merely

based

upon

the

way

it

looks,but

upon

the

potentialities

of

action

suggested

by

it.

Places

matter

greatly

to

many

writers.

For

instance,the

French

novelist

Balzac,before

writing

a

story

set

in

a

town,he

would

go

and

visit

that

town,select

a

few

lanes

and

houses,and

describes

them

in

detail,down

to

their

very

smells.

In

his

view

the

place

in

which

an

event

occurs

was

of

equal

moment

with

the

event

itself,and

it

has

a

part

to

play.

Another

example

is

Thomas

Hardy,under

whom

the

presentation

of

setting

assumes

an

unusual

importance.

His

“Wessex”

villages

cast

intangibly

such

as

spell

upon

the

villagers

that

once

they

leave

their

hometowns

they

will

inevitably

suffer

from

disasters,and

the

farther

they

are

away

from

their

hometowns,the

more,terrible

their

disasters

will

be.

For

example,in

the

Tess

of

the

D’Urbervilles,the

Vale

of

Blakemore

was

the

place

where

Tess

was

born

and

her

life

was

to

unfold.

Every

contour

of

the

surrounding

hills

was

as

personal

to

her

as

that

of

her

relatives’

faces;

she

loved

the

place

and

was

loved

in

the

place.

The

vale,far

from

the

madding

crowd

of

the

civilized

city,was

as

serene

and

pure

as

the

inhabitants.

Tess,imbued

deeply

with

the

natural

hue

of

the

vale

and

bound

closely

to

this

world

of

simplicity

and

seclusion,experienced

her

own

delight

and

happiness

though

her

family

was

poor.

It

was,to

some

extent,her

departure

from

her

native

place

that

led

to

her

tragedy.

In

The

Return

of

the

Native,the

atmosphere

of

Egdon

Heath

prevails

over

the

whole

book;

as

an

environment,it

absorbs

some

and

repels

others

of

the

characters:

those

who

are

absorbed

achieve

a

somber

integration

with

it,but

those

who

are

repelled

and

rebel

suffer

disaster.

Sometimes

an

environment

serves

as

more

than

a

mere

place

to

set

the

story.

Often,it

is

inextricably

entangled

with

the

protagonist,and

even

carries

strong

symbolic

meanings.

Cathy

as

an

image

of

the

feminine

personality,for

example,in

Emily

Bronte’s

Wuthering

Heights,is

not

supposed

to

possess

the

“wilderness”

characteristic

of

masculinity

and

symbolized

by

the

locales

of

Heathcliff

and

Wuthering

Heights.

In

some

fiction,setting

is

closely

bound

with

theme.

In

The

Scarlet

Letter,even

small

details

afford

powerful

hints

at

the

theme

of

the

story.

At

the

start

of

the

story,the

narrator

describes

a

colonial

jailhouse:

Before

this

ugly

edifice,and

between

it

and

the

wheeltrack

of

the

street,was

a

grass-plot,much

overgrown

with

burdock,pigweed,apple-peru,and

such

unsightly

vegetation,which

evidently

found

something

congenial

in

the

soil

that

had

so

early

borne

the

black

flower

of

civilized

society,a

prison.

But,on

one

side

of

the

portal,and

rooted

almost

at

the

threshold,was

a

wild

rosebush,covered,in

this

month

of

June,with

its

delicate

gems,which

might

be

imagined

to

offer

their

fragrance

and

fragile

beauty

to

the

prisoner

as

he

went

in,and

to

the

condemned

criminal

as

he

came

forth

to

his

doom,in

token

that

the

deep

heart

of

Nature

could

pity

and

be

kind

to

him.

Apparently,the

author

makes

a

contrast

between

the

ugly

jailhouse

with

a

tangled

grass-plot

overgrown

with

burdock

and

pigweed

and

something

as

beautiful

as

a

wild

rose.

As

the

story

unfolds,he

will

further

suggest

that

secret

sin

and

a

pretty

child

may

go

together

like

a

pigweed

and

wild

roses.

In

this

artfully

crafted

novel,setting

is

intimately

blended

with

characters,symbolism,and

theme.

In

addition

to

place,setting

may

crucially

involve

the

time

of

the

story—century,year,or

even

specific

hour.

It

may

matter

greatly

that

a

story

takes

places

in

the

morning

or

at

noon.

The

medieval

background

informs

us

differently

from

the

twentieth

century.

Kennedy

and

Gioia

note

that

in

The

Scarlet

Letter,the

nineteenth-century

author

Nathaniel

Hawthrone,utilizes

a

long

introduction

and

a

vivid

description

of

the

scene

at

a

prison

door

to

inform

us

that

the

events

in

the

story

took

place

in

the

Puritan

community

of

Boston

of

the

earlier

seventeenth

century.

This

setting,to

which

Hawthorne

pays

so

much

attention,together

with

our

schemata

concerning

Puritan

practice,helps

us

understand

what

happens

in

the

novel.

We

can

understand

to

some

extent

the

agitation

in

the

town

when

a

woman

is

accused

of

adultery,for

adultery

was

a

flagrant

defiance

of

church

for

the

God-fearing

New

England

Puritan

community,and

an

illegitimate

child

was

evidence

of

sin.

Without

information

about

the

seventeenth-century

Puritan

background,a

reader

today

may

be

perplexed

at

the

novel.

The

fact

that

the

story

in

Hawthorne’s

novel

took

place

in

a

time

remote

from

our

own

leads

us

to

expect

different

attitudes

and

customs

of

the

characters,is

strongly

suggestive

of

the

whole

society,which

is

crucial

to

an

essential

understanding

of

The

Scarlet

Letter

as

a

whole.

Besides

place

and

time,setting

may

also

include

the

weather,which,indeed,may

be

crucial

in

some

stories.

2.

Local

color

writing

/regionalism

and

the

writer,a

regional

writer.

When

setting

dominates,or

when

a

piece

of

fiction

is

written

largely

to

present

the

manners

and

customs

of

a

locality,the

writing

is

often

called

local

color

writing

or

regionalism

and

the

writer,a

regional

writer.

A

regional

writer

usually

sets

his/her

stories

in

one

geographic

area

and

tries

to

bring

it

alive

to

readers

everywhere.

Thomas

Hardy,in

his

portrayal

of

life

in

Wessex,wrote

regional

novels.

Arnold

Bennett’s

novels

of

the

“Five

Towns”

are

markedly

regional.

Willliam

Faulkner,known

as

a

distinguished

regional

writer,almost

always

set

his

novels

and

stories

in

his

native

Mississippi.

3.

The

setting

of

a

novel

is

not

always

drawn

from

a

real-life

locale.

The

setting

of

a

novel

is

not

always

drawn

from

a

real-life

locale.

Literary

artists

sometimes

prefer

to

create

the

totality

of

their

fiction—the

setting

as

well

as

characters

and

their

actions.

……

The

creation

of

setting

can

be

a

magical

fictional

gift

in

a

XX广电IP城域网改造

方案建议书

opinion

about,and

statement

of,the

theme.

Moral

inferences

drawn

from

most

stories:

Moral

inferences

may

be

drawn

from

most

stories,no

doubt,even

when

an

author

does

not

intend

his/her

story

to

be

read

this

way.

In

“A

Clean,Well-Lighted

Place”,we

feel

that

Hemingway

is

indirectly

giving

us

advice

for

properly

regarding

and

sympathizing

the

lonely,the

uncertain,and

the

old.

But

obviously

the

story

does

not

set

forth

a

lesson

that

we

are

supposed

to

put

into

practice.

We

can

say

for

sure

that

“A

Clean,Well-Lighted

Place”

contains

several

themes

and

other

statements

could

be

made

to

take

in

Hemingway’s

view

of

love,of

communication

between

people,of

dignity.

Great

stories,like

great

symphonies,frequently

have

more

than

one

theme.

When

we

say

that

the

title

of

Pride

and

Prejudice

conveys

the

theme

of

the

novel

or

that

Uncle

Tom’s

Cabin

and

The

Grapes

of

Wrath

treat

the

themes

of

slavery

and

migratory

labor

respectively,this

is

to

use

theme

in

a

larger

and

more

abstract

sense

than

it

is

in

our

discussion

of

Hemingway’s

“A

Clean,Well-Lighted

Place.”

In

this

larger

sense

it

is

relatively

easy

to

say

that

Mark

Twain’s

Huckleberry

Finn,Updike’s

A

(2)

the

occupations

and

daily

manner

of

living

of

the

characters;

(3)

the

time

or

period

in

which

the

action

takes

place,for

example,the

late

eighteenth

century

in

history

or

winter

of

the

year;

(4)

the

general

environment

of

the

characters,for

example,religious,mental,moral,social,and

emotional

conditions

through

which

characters

in

the

story

move.

(Holman

and

Harman,A

Handbook

to

literature,1986)

But

often,in

an

effective

story,setting

may

figure

as

more

than

mere

background.

It

can

make

things

happen.

It

can

prompt

characters

to

act,bring

them

to

realizations,or

cause

them

to

reveal

their

innermost

natures,as

we

shall

see

in

John

Cheever’s

short

story

“The

Swimmer”.

First,as

we

have

said,the

idea

of

setting

includes

the

physical

environment

of

a

story:

a

region,a

landscape,a

city,

篇2：龙窝湖酒店建议书

龙窝湖酒店建议书 本文关键词：建议书，酒店，龙窝湖

龙窝湖酒店建议书 本文简介：一、项目名称：芜湖龙窝湖渔庄二、项目建设的必要性(一)项目背景：1、建设单位概况(项目法人)芜湖市龙窝湖生态农业综合开发有限公司是集龙窝湖区域的种植、养殖及环境保护为一体综合性农业、渔业开发、科研、发展有限公司；建设芜湖龙窝湖渔庄的目的是充分利用龙窝湖现有的产品和环境优势，进一步开发龙窝湖渔类水产品

龙窝湖酒店建议书 本文内容：

一、项目名称：

芜湖龙窝湖渔庄

二、项目建设的必要性

(一)项目背景：

1、建设单位概况(项目法人)

芜湖市龙窝湖生态农业综合开发有限公司是集龙窝湖区域的种植、养殖及环境保护为一体综合性农业、渔业开发、科研、发展有限公司；建设芜湖龙窝湖渔庄的目的是充分利用龙窝湖现有的产品和环境优势，进一步开发龙窝湖渔类水产品的应用和提高龙窝湖水产品的知名度。

(二)基本条件

拟建地址状况(建设地点)：

利用位于龙窝湖北岸的窝湖生态农业综合开发有限公司现有办楼加以改造。

(三)项目建设的意义

龙窝湖地处长江中下游，原是长江河曲。1960年兴修水利，围垦打坝形成的半封闭湖泊，有控制闸通长江。龙窝湖四周多为沙质土壤农田，主要水源来自繁昌县的横山河，由焦湾闸经三山河流入龙窝湖，全长20公里，一般以区域内的自然降雨或长江引水补充。龙窝湖是长江中下游地区水质最好的淡水湖泊之一。湖中有江心岛——小水影,周围滩涂杨柳依依，芦苇丛生，各种水鸟在此聚集繁延后代。

龙窝湖区位优势明显，自然条件优越，生态环境甚佳，交通十分便捷，是发展旅游和生态养殖的理想场所。该湖正常水位时面积为10500亩，平均水深4.5米，最深处为12米，PH值8.6，溶解氧8.3mg/L，总磷0.06mg/L，总氮0.87mg/L，透明度140～240cm。龙窝湖渔业资源丰富，生长着50多个鱼类品种。其中养殖的品种以河蟹、青鱼、草鱼、鳙鱼、鲢鱼、团头鲂为主；自然增殖的以细鳞斜颌鲴（黄条）、中华鳖、鳗鱼、鳜鱼、鲌鱼、鲶鱼、黑鱼、黄颡鱼、鲫鱼、鲤鱼等品种居多。龙窝湖以盛产细鳞斜颌鲴和河蟹而久负盛名，有“黄条故乡”之美誉。2001年，龙窝湖被安徽省渔业局确定为细鳞斜颌鲴种质资源保护区，2007年5月30日，中央电视台“长江行动”栏目组对龙窝湖生态养殖给予全面报道。

龙窝湖是发展生态旅游的理想场所，具有较高旅游品牌保护价值。本项目的建设是为进一步利用和开发龙窝湖的产品资源和旅游资源的设施之一。可以进一步提高龙窝湖和龙窝湖产品的知名度，为打造芜湖和绿色三山的生态旅游做出贡献。

三、项目建设内容：

(一)

项目建设方案：

1、以龙窝湖北岸的窝湖生态农业综合开发有限公司现有办楼加以改造、添置必要的器具、设备，原建筑物重新加以装修，外部设置一定的绿化景观，充分衬托龙窝湖水天一色的美景，为龙窝湖增加一道靓丽的风景

2、本酒庄主要以经营龙窝湖的各类鲜活水产品为主，设备、设施以鱼类加工为主；

3、环保设施：

环保设施也是此次建设的主要议题，酒庄地处龙窝湖中心，为保证酒庄经营不影响龙窝湖的优美环境，酒庄所有的水。气排放都应达到当地环保部门的排放标准，主要是两项治理内容：

①

废水的治理：

针对餐饮和生活废水含油污及有机物浓度高的特点，废水的治理采用厌氧、好氧气浮式的废水处理工艺，本工艺处理技术已非常成熟，设备简单，投资相对较小，实施较为可行，其具体要艺是：

餐饮及生活废水经管道排入隔油池，经四道隔油处理，可以滤除90%的油污，再进入厌氧池内消除绝大部分嗜氧菌，再进入好氧池内，消除掉绝大部分好氧菌，再经沉淀、沥清，进入气浮反应池，分解掉废水中的有机物。其流程如下图：

②

废气的治理：

餐饮的废气主要是油烟和各种粉尘，采用喷淋除油和活性炭过滤的方式加以治理，具体流程如下图：

(二)

项目建设示意图

(三)

建设项目内容

建设项目内容一览表：

序号

项目内容

建筑面积：平米

投资估算：万元

主要功能

1

原有建筑改造装饰

560

12

主营业场所。

2

操作间新建及装饰

250

10

住宿、餐饮服务

3

埋地式厌氧好氧气浮污水处理设备

13

处理营业中产生的有机污水使之达到环保排放标准。

4

喷淋式烟尘处理设备

3

灶台烟尘处理，使之达到环保排放标准。

5

操作间设备

12

6

包厢、餐厅用具购置

6

7

外部景观设施

2

8

50KVA箱式电站

2

9

其它公用设施

2

合计投资

62

四、项目实施进度

(一)建设工期：

预计新建及装修工期为六个月，可当年对外营业。

(二)项目实施进度安排：

初步设想2011年8月开始立项、签订房屋租赁合同等事宜，2012年春节前既可对外营业。

五、投资估算及资金筹措

(一)投资估算

1、投资估算依据

依据2010年芜湖市政府招标采购交易中心类似建设工程中标平均单位造价测算；

2、建设投资估算

(二)资金筹措方案

本项目投资所须的62万元资金，拟采用股份合作的形式，引进、吸收社会闲散资金，目前已具有一定的意向；

六、效益分析

(一)经济效益：

正常营业后每天营业额按6000元计算：每月税后净利润约36000元，年利润可达43.2万元；上缴政府税收约22万元，18个月左右可收回全部投资。

(二)社会效益分析：

1、龙窝湖酒庄项目建设后可以利用龙窝湖水产品的资源，提高龙窝湖产品的知名度，进一步增加龙窝湖水产品的产量和销售；

2、符合市政府和三山区政府关于大力发展生态旅游的规划思路；

3、可以为三山地区的在产开发和招商引资提花可借鉴的经验；

4、芜湖三山区乃至芜湖市，三产服务行业在国民经济中所占的比重还较小，属于市政府近年来鼓励发展的行业。

篇3：黑龙江省查哈阳农场场直秸秆气化工程建议书

黑龙江省查哈阳农场场直秸秆气化工程建议书 本文关键词：黑龙江省，建议书，气化，秸秆，农场

黑龙江省查哈阳农场场直秸秆气化工程建议书 本文简介：第一章项目摘要1.1项目名称：黑龙江省查哈阳农场场直秸秆气化工程1.2建设单位:黑龙江省查哈阳农场1.3建设地点黑龙江省查哈阳农场场直原饲料厂院内1.4建设年限2009年1.5建设规模黑龙江省查哈阳农场计划建设一座占地4000平方米（厂房面积请在附表中详细填写，设备请自行根据农场情况进行删减或增加）

黑龙江省查哈阳农场场直秸秆气化工程建议书 本文内容：

第一章

项目摘要

1.1

项目名称：

黑龙江省查哈阳农场场直秸秆气化工程

1.2

建设单位:

黑龙江省查哈阳农场

1.3

建设地点

黑龙江省查哈阳农场场直原饲料厂院内

1.4

建设年限

2009年

1.5

建设规模

黑龙江省查哈阳农场计划建设一座占地4000平方米（厂房面积请在附表中详细填写，设备请自行根据农场情况进行删减或增加）、供320户居民生活用燃气的秸秆气化集中供气站。

项目总投资在500万元。

1.6

产品方案

项目建成后，年生产秸秆燃气584000-876000立方米，年消耗秸秆

7.2-8.4

万吨。燃气每方1.2元，年销售收入14.6万元。

1.7

投资估算与资金筹措

该项目建设投资500万元，资金筹措：其中国家投资：300

农场自筹：200

第二章

项目承担单位的基本情况

1、地理位置

查哈阳农场位于黑龙江省甘南县境内，地处嫩江右岸的诺敏河与阿伦河之间的大兴安岭山前冲击平原地带，东为甘南县平阳镇，南为甘南县东阳镇，西为甘南县宝山乡，西北以内蒙古自治区的金界壕为界与阿荣旗毗连，东北和甘南县查哈阳乡接壤以诺敏河为界，并同内蒙古自治区的莫力达瓦自治旗为邻。隶属于黑龙江省农垦齐齐哈尔分局。地理坐标：东经123°56

－124°26

北纬48°05′－48°30

。土地总面积125.9万亩，其中：耕地面积77.2万亩亩，林地面积22.8万亩，牧草地面积6.6万亩。

2、地形地貌

查哈阳农场为低山丘陵区与松嫩平原的过渡地带。全场地势东北高，西南低。东部边缘为侵蚀堆积的冰水平原过渡带，自北向南呈条状带分布在二干以东，微地形较复杂。其余大部分均为高漫滩平原，是农场灌区的主体，属冲击堆积地形，由北向南倾斜地势平坦，微地形变化不大，海拔高程为170—190米，坡降为1/1000—1/2000。

3、地下水资源情况

查哈阳农场地下水贮量比较丰富，全场地下水贮藏量约为1.32亿立方米，可开采水量1.02亿立方米。水质良好，天然补给模数15万立方米/年，矿化度小于0.5克/升，适于饮水与灌溉。丰水区位于中部和西部堆积低洼地区。因地区低洼潜压水丰富，特别是受常年灌溉的影响，地下水位升高，更为充足。丰水区冬季地下水位在10—12米左右，打井深度在14米左右，单井出水量为120—200吨/小时。

4、工程地质

桔杆建设项目属高漫滩平原区，为第四纪沉积物覆盖，下部分为砂卵石含水层，厚度20-60米，承载力为240-450帕，上部为亚粘土，厚2-6米，土的承载力标准值为100-200千帕，上层滞水发育在亚粘土上部，厚度1-2米。

5、土壤情况

查哈阳农场土壤以草原黑钙土为主，黑土层厚度在30-70cm

，在土壤0-20cm土层内可熔盐含量小于0.1%，这种土壤处于干湿交替下，因而在土壤剖面中形成了直径0.5-5.0mm铁锰结核，并在土壤下层可以看到不太明显锈斑，有机质含量一般均在4-6%，速效氨含量31.0-41.6ppm，速效磷含量2.2-6.6ppm，速效钾196-249ppm，ph值4.5-6.0。

二、社会经济状况

查哈阳农场以农业生产经营为主，现已形成农林牧渔各业并举，工商运建服全面发展的格局。现有人口6.9万人，总户数为19396户，作业区53个，2008

年末现有从业人员23555人，其中：国有企业从业人员21875人。技术人员1095人，其中：高级职称人员141人，中级职称人员595人，初级职称人员1059人，三级管理人员585人。

企业经营状况：2008年企业总收入14392万元，总支出8317万元，企业利润5546万元。国内生产总值109058.9万元，资产总额41173万元，其中固定资产总值21916万元，负债总额39978万元，净资产总值1195万元，人均纯收入9099元。农场所处位置交通便捷。

第三章

项目建设方案

5.1

项目区选择

根据项目建设内容，结合农场自然资源状况、经济发展水平、市场条件，以及农业长期发展所形成的产业基础等因素，按照统一规划、科学布局、功能齐全、独具特色的原则，进行区域化布局。经多方考察论证从众多方案中择优确定，具体项目建设地点查哈阳农场场直原饲料厂院内

。

5.2

项目区建设条件

5.2.1地理位置

查哈阳农场位于黑龙江省甘南县境内，地处嫩江右岸的诺敏河与阿伦河之间的大兴安岭山前冲击平原地带，东为甘南县平阳镇，南为甘南县东阳镇，西为甘南县宝山乡，西北以内蒙古自治区的金界壕为界与阿荣旗毗连，东北和甘南县查哈阳乡接壤以诺敏河为界，并同内蒙古自治区的莫力达瓦自治旗为邻。隶属于黑龙江省农垦齐齐哈尔分局。地理坐标：东经123°56

－124°26

北纬48°05′－48°30

。土地总面积125.9万亩，其中：耕地面积77.2万亩亩，林地面积22.8万亩，牧草地面积6.6万亩。

5.2.3工程地质

桔杆项目建设属高漫滩平原区，为第四纪沉积物覆盖，下部分为砂卵石含水层，厚度20-60米，承载力为240-450帕，上部为亚粘土，厚2-6米，土的承载力标准值为100-200千帕，上层滞水发育在亚粘土上部，厚度1-2米。

5.2.4水、电、暖与交通

农场有自来水接入，自来水入户率100%。该区100%为楼房，100%房屋集中供暖，该区外部条件优越，有白色水泥路面，该区距齐齐哈尔128公里，交通便利；农场使用国网电力，项目电力供应有保障。

5.3

总平面布置原则

1、严格执行国家现行的环境保护、劳动保护法规和现行防水、抗震规范。

2、本期工程为新建工程，依据厂址的自然条件，结合装机方案及工艺流程的要求，本着用地合理、布置紧凑、分区明确、便于施工管理、有利丁施工、扩建的原则。

5.4

总平面布置方案

（包括生产车间、储料间等建设项目的平面布置，或直接附平面布置图。）

5.5

工厂运输

5.5.1运输量

本项目年需原材料量7.2---8.4万吨，即为年运输总量。

5.5.2运输方案

汽车运输入厂

5.6

给排水与消防

5.6.1给水

2.水源

水源为井水，既地下水

5.6.2排水

通过场区排水管道排放

5.6.4管材选择

1.生产、生活给水管：

2.室内排水管采用：

8

第四章

项目建设内容及投资

项目建设内容包括秸秆燃气生产工程及集中供气工程。

计划总投资500万元，其中申请国家投资300万元，自筹200万元。总投资中建筑安装工程223.7万元，设备购置253.3万元，工程其他费用5万元，预备费用18万元。

8.1

土建工程

8.2

设备选择

8.3

其他费用及预备费用